Body dress and identity in ancient greece pdf
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- Clothing in ancient Greece
- Dress in Mediterranean Antiquity
- The Greek Life of Oscar Wilde
- The Greek Life of Oscar Wilde
In the Graeco-Roman world, the cosmic order was enacted, in part, through bodies. This book will hold special appeal for anyone working on dress, Greek art, gender, or the history of classical scholarship, but so much ground is covered that any reader will find something of interest. It achieves approachability without succumbing to superficiality and is a pleasure to read.
Clothing in ancient Greece
Clothing in ancient Greece primarily consisted of the chiton , peplos , himation , and chlamys. Ancient Greek clothing was mainly based on necessity, function, materials, and protection rather than identity. Thus, clothes were quite simple, draped, loose-fitting and free-flowing. Pieces were generally interchangeable between men and women. While no clothes have survived from this period, descriptions exist in contemporary accounts and artistic depictions.
Dress in Mediterranean Antiquity
This chapter illustrates the ways in which three critical social identities—age, gender, and ethnicity—could be depicted through the archaeological mortuary record of ancient Greece and Greek settlements in Italy and Sicily between the Geometric and Hellenistic periods. It provides a range of case studies which indicate not only the importance of these identities in the formulation of burial systems, but also the fact that their visibility could vary over time and place and that the suppression of these identities can be of as much significance to modern research as their articulation. It further notes that not only were these identities often tightly interrelated in their material form but also that issues of status—a fourth social identity—could be a factor in the construction of ancient Greek burials. Keywords: burial customs , ancient Greece , ethnicity , gender , childhood , ancient Italy. This chapter investigates the articulation of three main social identities—age, gender, and ethnicity—in burial practices in the ancient Greek world from the Geometric to Hellenistic periods. These three forms of identity are now recognized as playing important roles in the formation of the archaeological burial record of the ancient Greeks, but the nature and degree of the deployment of material culture to express these identities could also be very varied across time and place, reflecting changing social priorities. In the limited space here, it is not possible to provide a complete synthesis for the time period, nor to provide a diachronic overview; instead, an illustration is provided of the ways in which these sorts of identities could be articulated at burial through a range of case studies drawn from different periods of Greek history and from different parts of the Greek world, including not only mainland Greece but Greek settlements—often referred to somewhat misleadingly as Greek colonies, but in fact politically independent entities—elsewhere in the Mediterranean region.
Scholarly research on ancient Greek dress is a sensitive matter. As a topic, it is very promising, allowing one to come close — literally and metaphorically — to the people of a distant past, to their private passions and public self-fashioning. But at the same time the evidence demands a careful methodology: Almost no physical remains of actual garments have survived, except for more durable accessories like metal pins, whereas textual sources provide rich but extremely diverse information, from descriptions of the range and high quality of textiles in the Homeric poetry, to anecdotal remarks by Herodotus and other contemporary historians, to lists of the types of garments dedicated in sanctuaries. For a long time, the study of Greek dress focused on the reconstruction of the types of garments worn by men and women, their drapery and materials, and their evolution over time. Over the last two or three decades, however, other aspects came to the fore: techniques of production, trade, intercultural exchange and the social dimension of the uses of the highly versatile Greek dress practice. This is the point where Mireille Lee starts. The unpretentious title of her monograph encapsulates two particular claims: the book is not just about clothing but about dress and body, and both together are investigated with regard to their social functions.
The Greek Life of Oscar Wilde
By Mireille M. Cambridge University Press, Cambridge ISBN cloth.
The Greek Life of Oscar Wilde
Among other social and cultural identities, gender played a great role in defining how people in antiquity acted and were represented in the literary or in the visual sources. Great differences existed in the role of women in society between the Greek and the Roman world or according to the social status of the individual. References — Greek Lardinois, A.
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1. Greek dress and dress theory 2. Bodies in ancient Greece 3. Body modification 4. Garments 5. Accessories 6. The body as dress 7. Social contexts of dress.
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By Mireille M. Cambridge University Press, Cambridge ISBN cloth. This book is ambitious, timely, and the product of a huge amount of diligent research. Although I am no expert on the arcana of Greek dress and personal adornment, Lee clearly has read, absorbed, and considered at length almost everything published on the subject. Some rare omissions are noted below; and unfortunately, M. The result is a well-structured, well-documented, clear, judicious, and supremely useful study that will have a long shelf life.
Дэвид прислал его после какой-то мелкой размолвки. Несколько месяцев она добивалась, чтобы он объяснил, что это значит, но Дэвид молчал. Моя любовь без воска. Это было его местью. Она посвятила Дэвида в некоторые секреты криптографии и, желая держать его в состоянии полной готовности к неожиданностям, посылала ему записки, зашифрованные не слишком сложным образом. Список необходимых покупок, любовные признания - все приходило к нему в зашифрованном виде.