The lone ranger and tonto fistfight in heaven drug pdf
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- The Lone Ranger and Tonto Fistfight in Heaven (20th Anniversary Edition)
- The Lone Ranger and Tonto Fistfight in Heaven Summary
- The Lone Ranger and Tonto Fistfight in Heaven - Chapter 2 Summary & Analysis
- Western American Literature
Your input will affect cover photo selection, along with input from other users. The collection was originally released in ; it was reissued in , with two new stories, by Grove Atlantic Press. Composed of twenty-two interconnected stories with recurring characters, the work is often described by critics as a short-story collection, though some argue that it has novel-like features similar to Louise Erdrich's Love Medicine. The book's central characters, Victor Joseph and Thomas Builds-the-Fire, are two young Native-American men living on the Spokane Indian Reservation , and the stories describe their relationships, desires, and histories with family members and others who live on the reservation. Alexie fuses surreal imagery, flashbacks, dream sequences, diary entries, and extended poetic passages with his storytelling to create tales that resemble prose poems more than conventional narratives.
The Lone Ranger and Tonto Fistfight in Heaven (20th Anniversary Edition)
Log In Sign Up. Download Free PDF. Download PDF. A short summary of this paper. Also, Victor dabbles with alcoholism at a young age just like Alexie. Victor appears as a neutral and innocent observer in the story. The reason why Alexie uses a child to tell a story is to show people that Indians affect the children's future by fighting and drinking frequently. Love is a recurring theme in the book and this story also talks about love, more specifically love between the family members.
For instance, though his family and other Indians on the reservation survived despite poverty and racism, they also hate each other sometimes and use violence. Strangers would never want to hurt each other that badly. However, one sentence in the story implies that the fight might be related to an identity problem regarding Indians and Americans.
Alexie Alexie also talks about Indians' role as observers or rather witnesses. Though the fight between the uncles is brutal, no one interferes. They were all witnesses and nothing more. For hundreds of years, Indians were witnesses to crimes of an epic scale.
Victor's uncles were in the midst of a misdemeanor that would remain one even if somebody was to die. One Indian killing another did not create a special kind of storm. This little kind of hurricane was generic. It didn't even deserve a name. Compared to other problems in their lives, which are apparently bigger hurricanes, this one is not special.
The symbol of the hurricane continues to appear in the story in many forms. It refers to the literal hurricane that hits the reservation as well as symbolic hurricanes in Victor's personal life as well as other hurricanes in the lives of Indian people.
For instance, Victor remembers Christmas Eve from four years ago. His father did not have any money to buy presents so he kept weeping. Instead of saying that they are poor, Alexie decides to use memories to talk about serious problems. Victor's father keeps taking and leaving his empty wallet waiting it to be full.
However, it is always empty meaning he is poor but is unable to accept it. Also, this whole behavior similar to a ritual and it can be said that it looks cyclical just like a hurricane. It also implies the cyclical nature of Indian people that is full of poverty and death.
Finally, Adolph and Arnold return to the party together after giving each other personal and painful memories. Victor finds his parents and tries to sleep. The storm has passed and everyone continues their lives. This survival refers to both surviving the harsh storm as well as the storms that they keep creating among themselves. However, Indians are born warriors and they are used to being survivors. The ending of the story emphasizes the will power and strength of the Indian people.
Though there will many storms and hurricanes in their lives, they will continue to fight and survive. The second story in the book is "A Drug Called Tradition. Meanwhile, Victor and Junior sneak off to take magic mushrooms. This story is essentially about the trips of these three Indian boys. Each of them tells what they see in detail and the stories are told by the first person.
The stories or rather these surreal visions seem to be related to Indian people's past and some kind of alternative realities. These visions draw on elements of Spokane spirituality like traditional dancing and its spiritual significance.
These visions show that Spokane tradition is not limited to mythology or religion. The main thing that Alexie wants to talk about in this story is what it means to be a "real Indian.
Even though they feel some kind of connection to their Spokane heritage, they are still very different than their ancestor because of the current situation of America. Alexie shows the difference between these modern Indians and the Indians who lived in the past through these surreal visions. For instance, Victor keeps the drum that Big Mom gives because it gives him comfort. However, he seems to find spirituality some kind of a joke.
We're going out to Benjamin Lake to do this new drug I got. It'll be very fucking Indian. Spiritual shit, you know? The first one to take the drug is Thomas and he sees Victor stealing a horse. The visions are narrated in the first person in which we learn more about the person and his feelings.
The narrator steals a horse from "the others" because he feels like he needs to do something courageous to feel like a hero. The others mentioned in this narration is most probably refers to white men who are camping nearby Indian territory. Another interesting thing about this narration is the name of the horse. The horse speaks to the narrator saying his name is Flight. Flight is a reference to a story that was added in the edition. It is also the name of the book Alexie published in The book is about time travel so Alexie might have gotten the idea from this trip.
This interlude is once again told in the first person. They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. My fever burning so hot. They refer to Europeans who gave Native Americans clothing that is infected to get rid of them easily. The narrator is the sole survivor and also dying from sickness. However, he gets naked and dances a Ghost Dance.
As he continues to dance, his tribe starts to come to life. They continue to dance as the sound of drums get louder and louder. As they dance, the Europeans get on their ships and return toEurope. This is a very powerful and sad story regarding Native Americans.
This is the past that they all know but do not want to accept. However, it is also important to note that the power of being a community manages to drive the bad men away. Finally, Victor takes the mushrooms and sees Junior singing. The last interlude takes place in an alternate reality in which the Indians are the majority in the United States. Even the President of the United States, Mr.
Edgar Crazy Horse himself, came to hear me once. I played a song I wrote for his great-grandfather, the famous Lakota warrior who helped us win the war against the whites. Almost every American knows Crazy Horse as much as Indians. Another important thing about this interlude is that it talks about the idea of Indians being the best cowboys. The narrator is one of those cowboys and also believes that he is one of the best. Cowboys are one of the most well-known symbols of white American masculinity.
However, in this alternative reality, Indians are the best cowboys, not white men. This story is about Indian boys who try to steal horses in order to find their adult names.
When Thomas tells them the boys are them, Victor and Junior make fun of him. It is now. They are wearing only loincloths and braids. Although it is the twentieth century and planes are passing overhead, the Indian boys have decided to be real Indians tonight. According to his story, being a real Indian is only through knowing and accepting your past.
The experiences and lives of their ancestor live within them, the drug is merely a gate. Before leaving, Thomas tells the boys not to slow dance with their skeletons. They brush it off since they don't understand what Thomas means. Then, the narrator starts talking about the role and characteristics of the skeletons.
The Lone Ranger and Tonto Fistfight in Heaven Summary
When someone drank the potion, the person who had provided that trace ingredient would fall in love with whoever drank it. She would not willingly take such a wounding, I think. Rabbits and fawns predominated, although there was the occasional mouse, frog, or squirrel. Shelves on either side of the entrance to the kitchen displayed this unusual collection. When Ness looked from it to Majidah-the Asian woman seeming the person least likely to be collecting such things-Majidah spoke. The pirates had to be getting their supplies from somewhere nearby. Monk had urged caution, but Jessie had scampered away, eyes bright.
The Lone Ranger and Tonto Fistfight in Heaven - Chapter 2 Summary & Analysis
The guests are drunk and rowdy, and his uncles Adolph and Arnold fistfight in the yard. A hurricane touches down on the reservation but causes little damage, and life goes on. In this story, Victor and his friends are young adults.
Access options available:. By Sherman Alexie. New York: Grove Press, Sherman Alexie has taken a lot of flack during his career, accused by some Native American critics of perpetuating the worst kind of Indian stereotypes and reproached for his often irreverent attitude toward tradition and his refusal to portray Native Americans in what he regards as a nostalgic and overly sentimentalized manner.
Plot Summary. Personal Pain Community vs. Isolation Love and Hatred.
Western American Literature
In his darkly comic short story collection, the author brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-four interlinked tales are narrated by characters raised on humiliation and government-issue cheese, yet filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep; Thomas Builds-the-Fire, who tells his stories long after people stop listening; and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of Jimmy Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past. Alexie, S. The Lone Ranger and Tonto fistfight in heaven.
American Indian literature grew out of an oral tradition passed on from one generation to the next. At this time Indians were also beginning to write down their own stories in the English language. By the twentieth century creativity in the English language became a well-established form of their literary communication. During the same time the works of American Indian authors got a more individualistic tone.
Check out Scribid. Audiobook Check out Audiobooks. Sherman Alexie fearlessly confronts the problems faced by the Native Americans of Spokane, Washington. With his sense of hilarity and deep berevity, Alexie points to such problems as alcoholism, broken families, drug abuse, poverty, loss of culture, loss of community, and loss of pride. While it may appear as though Alexies' musings are all "fun-and-games," it will not be difficult for the reader to discern that there is something deeply troubling about most of the characters in Alexies' writings. One gets the sense that when ALexie paints a verbal picture of the reservation, a sense of utter hoplessness prevades the entire situation. Just look at the picture on the book cover.
В голове у нее стучало. Повернувшись, она увидела, как за стеной, в шифровалке, Чатрукьян что-то говорит Хейлу. Понятно, домой он так и не ушел и теперь в панике пытается что-то внушить Хейлу. Она понимала, что это больше не имеет значения: Хейл и без того знал все, что можно было знать. Мне нужно доложить об этом Стратмору, - подумала она, - и как можно скорее. ГЛАВА 38 Хейл остановился в центре комнаты и пристально посмотрел на Сьюзан.
- Он знал, что должен буквально вдавиться в пол. И вдруг увидел знакомый силуэт в проходе между скамьями сбоку. Это. Он. Беккер был уверен, что представляет собой отличную мишень, даже несмотря на то что находился среди огромного множества прихожан: его пиджак цвета хаки ярко выделялся на черном фоне.